The Most Popular Opera Buffa Composed by Mozart, Ranked

Choose the by Mozart you think is the most popular!

Author: Gregor Krambs
Updated on May 29, 2024 07:07
Opera enthusiasts often debate which of Mozart's Opera Buffa resonates most profoundly with contemporary audiences. By ranking these works, we can offer insights into which compositions are favored globally, reflecting not just historical significance but also current popular opinion. Participating in this ranking process allows fans to voice their preferences and see how their tastes compare with others'. This approach not only enhances engagement but also enriches our appreciation of Mozart's work by highlighting the diverse perspectives of his audience worldwide.

What Is the Most Popular Opera Buffa Composed by Mozart?

  1. 1
    41
    votes

    Don Giovanni

    A two-act opera buffa composed in 1787 with a blend of comedy, melodrama, and supernatural elements. It tells the story of the legendary libertine Don Giovanni, his escapades, and eventual demise.
    • Premiere: 29 October 1787, Estates Theatre, Prague
    • Librettist: Lorenzo Da Ponte
  2. 2
    15
    votes

    Così fan tutte

    A two-act opera buffa composed in 1790, often translated as 'Women are like that'. The opera's narrative focuses on a cynical gentleman's bet that leads two friends to disguise themselves and attempt to seduce each other's lovers.
    • Premiere: 26 January 1790, Burgtheater, Vienna
    • Librettist: Lorenzo Da Ponte
  3. 3
    0
    votes

    La finta giardiniera (The Pretend Garden-Girl)

    A three-act opera buffa composed in 1775. It narrates the story of Sandrina (the pretend garden-girl) who, along with her lover Count Belfiore, navigates through a series of mistaken identities and romantic entanglements.
    • Premiere: 13 January 1775, Salvatortheater, Munich
    • Librettist: Giuseppe Petrosellini
  4. 4
    0
    votes

    Zaide

    An unfinished opera by Mozart, composed in 1780. It is a Singspiel with both spoken and sung parts, and its story involves themes of love and rescue in a Turkish harem.
    • Librettist: Johann Andreas Schachtner
  5. 5
    0
    votes

    Il re pastore (The Shepherd King)

    A two-act opera serenata composed in 1775, which tells the story of Alexander the Great and his attempt to test the integrity of the shepherd king, Aminta.
    • Premiere: 23 April 1775, Salzburg
    • Librettist: Pietro Metastasio
  6. 6
    0
    votes

    Le Nozze di Figaro (The Marriage of Figaro)

    A four-act opera buffa composed in 1786, based on a stage comedy by Pierre Beaumarchais. It revolves around the wedding day of Figaro and Susanna, servants of Count Almaviva, who must outwit their master's efforts to seduce Susanna.
    • Premiere: 1 May 1786, Burgtheater, Vienna
    • Librettist: Lorenzo Da Ponte
  7. 7
    0
    votes

    Die Entführung aus dem Serail (The Abduction from the Seraglio)

    A three-act opera Singspiel composed in 1782. It tells the story of the attempt of the Spanish nobleman Belmonte to rescue his beloved Konstanze from the seraglio of Pasha Selim.
    • Premiere: 16 July 1782, Burgtheater, Vienna
    • Librettist: Gottlieb Stephanie
  8. 8
    0
    votes

    L'oca del Cairo (The Goose of Cairo)

    An incomplete opera buffa composed in 1783, notable for its engaging music despite the fact that Mozart abandoned the work. The plot involves a treasure hidden in a mechanical goose.
    • Librettist: Vincenzo Righini
  9. 9
    0
    votes

    Lo sposo deluso (The Deluded Bridegroom)

    Another of Mozart's incomplete operas, composed in 1783. The story revolves around a series of romantic misunderstandings and was intended to be a comic opera.
    • Librettist: Unknown
  10. 10
    0
    votes

    Der Schauspieldirektor (The Impresario)

    A comic singspiel in one act composed in 1786, Mozart's work is a satirical commentary on the vanity of singers and the profession of impresario. It involves a competition between two prima donnas.
    • Premiere: 7 February 1786, Orangery at Schönbrunn Palace, Vienna
    • Librettist: Gottlieb Stephanie

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About this ranking

This is a community-based ranking of the most popular Opera Buffa composed by Mozart. We do our best to provide fair voting, but it is not intended to be exhaustive. So if you notice something or Composition is missing, feel free to help improve the ranking!

Statistics

  • 4401 views
  • 56 votes
  • 10 ranked items

Voting Rules

A participant may cast an up or down vote for each Composition once every 24 hours. The rank of each Composition is then calculated from the weighted sum of all up and down votes.

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Additional Information

More about the Most Popular Opera Buffa Composed by Mozart

Don Giovanni
Rank #1 for the most popular Opera Buffa composed by Mozart: Don Giovanni (Source)
Opera Buffa, or comic opera, emerged in the 18th century. It contrasted with the serious and formal Opera Seria. This new genre aimed to entertain with humor and lively music. Wolfgang Amadeus Mozart, a prolific composer, created some of the most beloved works in this style.

Mozart's talent for blending music with comedy made his works stand out. He infused his compositions with wit and charm. His characters often found themselves in amusing situations. This made the stories relatable and enjoyable for audiences.

Mozart's operas in this genre often featured clever servants, foolish masters, and romantic entanglements. These elements created a light-hearted atmosphere. The music played a key role in driving the action and enhancing the humor. Mozart had a gift for creating memorable melodies and intricate ensembles.

One hallmark of his operas was the use of ensembles. These pieces, where multiple characters sang together, showcased his skill in weaving different vocal lines. The result was a rich tapestry of sound that delighted listeners. His duets, trios, and larger group numbers were highlights of his operas.

Mozart also excelled in writing arias. These solo pieces allowed characters to express their feelings. They ranged from joyful and playful to tender and heartfelt. The arias added depth to the characters and the story.

His librettos, or texts, were often based on popular plays or stories of the time. He collaborated with talented writers who understood his vision. Together, they created works that balanced humor with emotion. The stories often involved mistaken identities, clever schemes, and happy resolutions.

The orchestration in Mozart's operas was another strength. He used the orchestra to complement the singers and enhance the drama. The music flowed seamlessly, supporting the action on stage. His attention to detail ensured that every note served a purpose.

Mozart's operas in this genre were not just about entertainment. They also offered social commentary. He often poked fun at the upper classes and highlighted the wit and resourcefulness of common people. This added a layer of depth to his works, making them more than just light-hearted fun.

His operas have stood the test of time. They remain popular with audiences today. The combination of engaging stories, memorable music, and relatable characters continues to captivate. Performers and directors find new ways to bring these works to life, ensuring their relevance for modern audiences.

Mozart's contributions to Opera Buffa were significant. He took the genre to new heights with his creativity and skill. His works set a standard for comic opera that few have matched. They continue to be performed and cherished around the world.

In summary, Mozart's operas in the comic style are a testament to his genius. They blend humor, music, and storytelling in a way that remains unmatched. His ability to create engaging and entertaining works has ensured their lasting appeal. These operas are a key part of his legacy, showcasing his talent and creativity.

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